By Seiyodo Tomiharu (1733-1810), Iwami Province, dated 1793 Reclining with an arm resting on his large sack, his chest and belly exposed as he wears an amiable expression, carved using yosegi-zukuri (multiple-block construction), decorated with pigments, his eyes secured from inside using gyokugan (crystal eyes), signed underneath Iwami-shu (Iwami-no-kuni) Enokawa Seiyodo Shi Tomiharu kyonen rokujuissai shite kore o chokoku toki ni Kansei mizunoto-ushi no toshi nari (carved at the age of sixty-one by the Eno River in Iwami Province by Seiyodo Shi[mizu] Tomiharu in spring of the fifth, mizunoto-ushi, year of Kansei [1793]), with a large wood stand. Hotei: 63cm x 39cm x 33.5cm (24¾in x 15 3/8in x 13¼in); the wood stand: 68.2cm x 46cm x 6.2cm (26 7/8in x 18 1/8in x 2½in). (2).
By Seiyodo Tomiharu (1733-1810), Iwami Province, dated 1793 Reclining with an arm resting on his large sack, his chest and belly exposed as he wears an amiable expression, carved using yosegi-zukuri (multiple-block construction), decorated with pigments, his eyes secured from inside using gyokugan (crystal eyes), signed underneath Iwami-shu (Iwami-no-kuni) Enokawa Seiyodo Shi Tomiharu kyonen rokujuissai shite kore o chokoku toki ni Kansei mizunoto-ushi no toshi nari (carved at the age of sixty-one by the Eno River in Iwami Province by Seiyodo Shi[mizu] Tomiharu in spring of the fifth, mizunoto-ushi, year of Kansei [1793]), with a large wood stand. Hotei: 63cm x 39cm x 33.5cm (24¾in x 15 3/8in x 13¼in); the wood stand: 68.2cm x 46cm x 6.2cm (26 7/8in x 18 1/8in x 2½in). (2).
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