A print entitled 'A View of the Great Wall of China, called Van-Lee-Tching, or Wall of Ten Thousand Lee, taken near the Pass of Cou-Pe-Koo' with travelers visible, tending a horse and camel -- 11¾in. x 17¾in. (29.8cms x 45cms); a print entitled 'The Approach of the Emperor of China to his Tent in Tartary, to receive the British Ambassador' -- 11¾in. x 17½in. (29.8cms x 44.5cms), both published London 1796 ; a print entitled 'The Engagement of Captn. Sir Murray Maxwell in H.M Ship the Alceste, 1816, with the Chinese Fortresses on the Bocca Tigris, both of which he immediately silenced' -- 9½in. x 13¾in. (24cms x 35cms), published London 1818 ; and a set of three further naval prints and one View of Hong Kong -- 10in. x 14½in. (25.5cms x 37cms), published 1857 , all framed and glazed. (7)
A print entitled 'A View of the Great Wall of China, called Van-Lee-Tching, or Wall of Ten Thousand Lee, taken near the Pass of Cou-Pe-Koo' with travelers visible, tending a horse and camel -- 11¾in. x 17¾in. (29.8cms x 45cms); a print entitled 'The Approach of the Emperor of China to his Tent in Tartary, to receive the British Ambassador' -- 11¾in. x 17½in. (29.8cms x 44.5cms), both published London 1796 ; a print entitled 'The Engagement of Captn. Sir Murray Maxwell in H.M Ship the Alceste, 1816, with the Chinese Fortresses on the Bocca Tigris, both of which he immediately silenced' -- 9½in. x 13¾in. (24cms x 35cms), published London 1818 ; and a set of three further naval prints and one View of Hong Kong -- 10in. x 14½in. (25.5cms x 37cms), published 1857 , all framed and glazed. (7)
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