A PRINCE VISITS A SUFI SHAYKH AT DAWN
THE PAINTING POSSIBLY ATTRIBUTABLE TO BICHITR, MUGHAL INDIA, MID 17TH CENTURY, THE CALLIGRAPHY SIGNED 'IMAD AL-HASSANI, SAFAVID IRAN, LATE 16TH/EARLY 17TH CENTURY, THE BORDERS SIGNED MUHAMMAD HADI, IRAN, DATED AH 1171/1757-58 AD
A PRINCE VISITS A SUFI SHAYKH AT DAWN THE PAINTING POSSIBLY ATTRIBUTABLE TO BICHITR, MUGHAL INDIA, MID 17TH CENTURY, THE CALLIGRAPHY SIGNED 'IMAD AL-HASSANI, SAFAVID IRAN, LATE 16TH/EARLY 17TH CENTURY, THE BORDERS SIGNED MUHAMMAD HADI, IRAN, DATED AH 1171/1757-58 AD Opaque pigments heightened with gold on paper, a Prince and his attendant pay respects to a Sufi Shaykh and his novice at a shrine at dawn, musicians to the left, extended at top and bottom, within gold and polychrome minor floral borders, on wide margins with gold landscape scenes containing a wide variety of animals and European-style architecture, the calligraphy on the reverse composed of three panels each with 4ll. of black nasta'liq in white clouds reserved against gold illuminated ground, each panel signed and bordered by bands of strapwork, the margins with gold scrolling arabesques issuing large palmettes on blue ground, signed and dated in the lower left hand corner Painting 9 5/8 x 5½in. (24.6 x 14cm.); calligraphy 11 x 8in. (28 x 20.4cm.); folio 18¾ x 12 7/8in. (47.6 x 32.8cm.)
A PRINCE VISITS A SUFI SHAYKH AT DAWN
THE PAINTING POSSIBLY ATTRIBUTABLE TO BICHITR, MUGHAL INDIA, MID 17TH CENTURY, THE CALLIGRAPHY SIGNED 'IMAD AL-HASSANI, SAFAVID IRAN, LATE 16TH/EARLY 17TH CENTURY, THE BORDERS SIGNED MUHAMMAD HADI, IRAN, DATED AH 1171/1757-58 AD
A PRINCE VISITS A SUFI SHAYKH AT DAWN THE PAINTING POSSIBLY ATTRIBUTABLE TO BICHITR, MUGHAL INDIA, MID 17TH CENTURY, THE CALLIGRAPHY SIGNED 'IMAD AL-HASSANI, SAFAVID IRAN, LATE 16TH/EARLY 17TH CENTURY, THE BORDERS SIGNED MUHAMMAD HADI, IRAN, DATED AH 1171/1757-58 AD Opaque pigments heightened with gold on paper, a Prince and his attendant pay respects to a Sufi Shaykh and his novice at a shrine at dawn, musicians to the left, extended at top and bottom, within gold and polychrome minor floral borders, on wide margins with gold landscape scenes containing a wide variety of animals and European-style architecture, the calligraphy on the reverse composed of three panels each with 4ll. of black nasta'liq in white clouds reserved against gold illuminated ground, each panel signed and bordered by bands of strapwork, the margins with gold scrolling arabesques issuing large palmettes on blue ground, signed and dated in the lower left hand corner Painting 9 5/8 x 5½in. (24.6 x 14cm.); calligraphy 11 x 8in. (28 x 20.4cm.); folio 18¾ x 12 7/8in. (47.6 x 32.8cm.)
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