A PAIR OF PAINTED PLASTER MODELS OF SPHINGES TO DESIGNS BY ROBERT ADAM 20TH CENTURY The creatures portrayed recumbent and wearing diadems, on integral rectangular plinths 76cm high, 102cm long Catalogue Note: These sphinxes are related to the examples adorning the bridge at Compton Verney and at Osterley Park, which are often associated with the Neoclassical architect Robert Adam The model was highly popular and widely produced and adapted during the 18th century, including in artificial stone by Coade (examples of which are at Croome court), and in ceramic by Josiah Wedgwood While its links to Adam are undeniable, the origins of this model may in fact lie with lead sculptor John Cheere with whom Adam often collaborated. Cheere is known to have supplied a cast of the model to Lord Burlington for his gardens at Chiswick in 1749. Condition Report: Each bears the usual minor marks, knocks and scuffs overall consistent with age. The plinths are irregularly shaped though this is likely due to the forms of the original, one or two possible knocks and losses. Tiny chip to the hair of one sphinxes. The originals likely had chips and losses so this is reflected in the plasters (including to one of the noses, flanks and one of the tiaras). Some surface dimpling due to casting. Overall in perfectly presentable condition. Condition Report Disclaimer
A PAIR OF PAINTED PLASTER MODELS OF SPHINGES TO DESIGNS BY ROBERT ADAM 20TH CENTURY The creatures portrayed recumbent and wearing diadems, on integral rectangular plinths 76cm high, 102cm long Catalogue Note: These sphinxes are related to the examples adorning the bridge at Compton Verney and at Osterley Park, which are often associated with the Neoclassical architect Robert Adam The model was highly popular and widely produced and adapted during the 18th century, including in artificial stone by Coade (examples of which are at Croome court), and in ceramic by Josiah Wedgwood While its links to Adam are undeniable, the origins of this model may in fact lie with lead sculptor John Cheere with whom Adam often collaborated. Cheere is known to have supplied a cast of the model to Lord Burlington for his gardens at Chiswick in 1749. Condition Report: Each bears the usual minor marks, knocks and scuffs overall consistent with age. The plinths are irregularly shaped though this is likely due to the forms of the original, one or two possible knocks and losses. Tiny chip to the hair of one sphinxes. The originals likely had chips and losses so this is reflected in the plasters (including to one of the noses, flanks and one of the tiaras). Some surface dimpling due to casting. Overall in perfectly presentable condition. Condition Report Disclaimer
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
