A MING BLACK-LACQUERED WOOD QIN Wanli period (1573-1619) Of tapering shaped outline, covered in black lacquer with exposed wood bridge and seven mother-of-pearl studs on the arched top, with two fluted globular peg feet, yanzu ('wild geese feet'), and seven similarly fluted tapering wood tuning pegs, zhen , on the flat underside which has two oblong sounding holes, the larger known as longchi ('dragon's pond') and the smaller fengzhao ('phoenix pool'), the underside carved with two large characters naming the qin , Yi Yun ('leaning on clouds'), and signed in smaller characters, 'calligraphy by Zi', and with an eighteen-character inscription and a small seal mark, the interior carved with further inscriptions, with seven yellow silk tasseled cords 48in. (122cm.) long
A MING BLACK-LACQUERED WOOD QIN Wanli period (1573-1619) Of tapering shaped outline, covered in black lacquer with exposed wood bridge and seven mother-of-pearl studs on the arched top, with two fluted globular peg feet, yanzu ('wild geese feet'), and seven similarly fluted tapering wood tuning pegs, zhen , on the flat underside which has two oblong sounding holes, the larger known as longchi ('dragon's pond') and the smaller fengzhao ('phoenix pool'), the underside carved with two large characters naming the qin , Yi Yun ('leaning on clouds'), and signed in smaller characters, 'calligraphy by Zi', and with an eighteen-character inscription and a small seal mark, the interior carved with further inscriptions, with seven yellow silk tasseled cords 48in. (122cm.) long
.jpg "Quelle: Christie's")
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
