A LOUIS XVI ORMOLU-MOUNTED WHITE MARBLE MANTEL CLOCK THE CASE AFTER A DESIGN BY FRANCOIS VION, CIRCA 1785 The circular glazed white-enameled dial signed Robin A Paris, within a foliate-cast surround, the rectangular case surmounted by cooing doves and laurel wreathes representing Love's triumph, flanked by volute uprights draped with floral and laurel swags and mounted with fruit and flower-filled cornucopia, on a breakfront rectangular plinth, the movement with two train anchor recoil escapements, silk suspension to pendulum by means of count wheel strike 15 in. (38.1 cm.) high, 14 ¼ in. (36.2 cm.) wide, 6 in. (15.2 cm.) deep
A LOUIS XVI ORMOLU-MOUNTED WHITE MARBLE MANTEL CLOCK THE CASE AFTER A DESIGN BY FRANCOIS VION, CIRCA 1785 The circular glazed white-enameled dial signed Robin A Paris, within a foliate-cast surround, the rectangular case surmounted by cooing doves and laurel wreathes representing Love's triumph, flanked by volute uprights draped with floral and laurel swags and mounted with fruit and flower-filled cornucopia, on a breakfront rectangular plinth, the movement with two train anchor recoil escapements, silk suspension to pendulum by means of count wheel strike 15 in. (38.1 cm.) high, 14 ¼ in. (36.2 cm.) wide, 6 in. (15.2 cm.) deep
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