A FINE BLUE AND WHITE MING-STYLE PEAR-SHAPED VASE, YUHUCHUNPING QIANLONG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795) The vase is painted in vivid tones of underglaze blue, in imitation of ‘heaping and piling’, with plantain and bamboo growing beside rocks on grassy mounds, below a band of foliate scroll in-between upright leaves and a pendent ruyi collar at the waisted neck. The base is encircled by a band of upright lotus panels above a band of demi-florettes on the splayed foot, all between a band of upright ruyi lappets at the base and of band of knobbed scroll bordered by upright leaves and a stylised ruyi collar at the waisted, flaring neck, a band of lotus encircling the foot. 11 3/8 in. (28.9 cm.) high, box Provenance Acquired in Hong Kong, 1992
A FINE BLUE AND WHITE MING-STYLE PEAR-SHAPED VASE, YUHUCHUNPING QIANLONG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795) The vase is painted in vivid tones of underglaze blue, in imitation of ‘heaping and piling’, with plantain and bamboo growing beside rocks on grassy mounds, below a band of foliate scroll in-between upright leaves and a pendent ruyi collar at the waisted neck. The base is encircled by a band of upright lotus panels above a band of demi-florettes on the splayed foot, all between a band of upright ruyi lappets at the base and of band of knobbed scroll bordered by upright leaves and a stylised ruyi collar at the waisted, flaring neck, a band of lotus encircling the foot. 11 3/8 in. (28.9 cm.) high, box Provenance Acquired in Hong Kong, 1992
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