8Georges RouaultAutomne (Autumn)1930 Aquatint in colors, on Montval laid paper, with full margins. I. 20 x 26 in. (50.8 x 66 cm) S. 21 7/8 x 28 in. (55.6 x 71.1 cm) Signed in black ink and numbered 43/175 in pencil, published by Ambroise Vollard, Paris, framed. Estimate $6,000 - 8,000 Place Advance BidContact Specialist Editions@phillips.com
Condition ReportSign uporLog inLiteratureFrançoise Champon and Isabelle Rouault 288Catalogue EssayRouault was one of the first artists of the early 20th century to translate his heavily-contoured, colorful Fauvist paintings into richly-inked, painterly aquatints with master printer Roger Lacourière. Automne is Rouault's tour-de-force print and amongst his most colorful, technically complex and largest. It is also a precursor to the large aquatints by Picasso and Matisse made later in the 1950s and 1960s with the master printmaker.Read More
8Georges RouaultAutomne (Autumn)1930 Aquatint in colors, on Montval laid paper, with full margins. I. 20 x 26 in. (50.8 x 66 cm) S. 21 7/8 x 28 in. (55.6 x 71.1 cm) Signed in black ink and numbered 43/175 in pencil, published by Ambroise Vollard, Paris, framed. Estimate $6,000 - 8,000 Place Advance BidContact Specialist Editions@phillips.com
Condition ReportSign uporLog inLiteratureFrançoise Champon and Isabelle Rouault 288Catalogue EssayRouault was one of the first artists of the early 20th century to translate his heavily-contoured, colorful Fauvist paintings into richly-inked, painterly aquatints with master printer Roger Lacourière. Automne is Rouault's tour-de-force print and amongst his most colorful, technically complex and largest. It is also a precursor to the large aquatints by Picasso and Matisse made later in the 1950s and 1960s with the master printmaker.Read More
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