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Auktionsarchiv: Los-Nr. 23

Hans Hofmann

Schätzpreis
2.000.000 $ - 3.000.000 $
Zuschlagspreis:
2.405.000 $
Auktionsarchiv: Los-Nr. 23

Hans Hofmann

Schätzpreis
2.000.000 $ - 3.000.000 $
Zuschlagspreis:
2.405.000 $
Beschreibung:

23 PROPERTY FROM A PRIVATE AMERICAN COLLECTION Hans Hofmann Orchestral Dominance in Green 1954 oil on canvas 48 3/8 x 60 1/8 in. (123.8 x 152.7 cm) Signed, titled and dated “orchestral dominance in green 1954 Hans Hofmann” on the reverse; further signed and dated "Hans Hofmann 54" lower right.
Provenance Kootz Gallery, New York, 1961 Collection Henry A. and Jeanette R. Markus, Chicago, 1961 - 1987 Sotheby’s, New York, Contemporary Art, Part I, May 4, 1987, lot 9 André Emmerich Gallery, 1987 - 1989 Private Collection, 1989 - 2002 Ameringer Howard Yohe Fine Art, New York, 2002 Riva Yares Gallery, Scottsdale, 2002 Private Collection, 2002 Exhibited New York, Kootz Gallery, Tenth Anniversary Festival: Hofmann, New Paintings, November 15 - December 11, 1954 Provincetown, H.C. Gallery, Hans Hofmann July 26 - August 8, 1955 Philadelphia, Pennsylvania Academy of Fine Arts, One Hundred and fifty-First Exhibition of American Painting and Sculpture, January 22 - February 26, 1956 New Brunswick, Rutgers University, Hans Hofmann curated by Allan Kaprow April 5 - May, 1956 Houston, Contemporary Arts Museum in conjunction with Houston Symphony Orchestra and the Museum of Fine Arts, Large Scale Painting II, October 30 - November 30, 1956 London, The Tate Gallery, Hans Hofmann Late Paintings, March 2 - May 1, 1988 New York, André Emmerich Gallery, Hans Hofmann Selected Works, January 7 - February 13, 1993 New York, New York Studio School of Drawing, Painting and Sculpture, The Brushstroke and Its Guises, March 7 - April 16, 1994 New York, André Emmerich Gallery, Hans Hofmann's America: Landscapes, Still Lifes and Abstractions, December 7, 1995 - January 20, 1996 Berlin, Galerie Haas & Fuchs, Hans Hofmann Das Spätwerk, October 1 - November 1, 1997 Scottsdale, Riva Yares Gallery, Hans Hofmann Major Paintings, 1935-1964, March 13 - April 12, 1999, then traveled to Santa Fe, Riva Yares Gallery (July 9 - August 9, 1999) Boca Raton, Ameringer Howard Fine Art, Hans Hofmann A Retrospective Exhibition, November 11 - December 4, 1999 New York, Ameringer Howard Fine Art, Hans Hofmann The Summer Studio, April 27 - June 10, 2000 Provincetown, Art Association & Museum, Hans Hofman, Four Decades in Provincetown, July 28 - October 1, 2000 San Francisco, John Berggruen Gallery, Hans Hofmann Paintings, February 1 - March 3, 2001 Naples, Naples Museum of Art, Hans Hofmann A Retrospective, November 1, 2003 - March 21, 2004 Literature Tenth Anniversary Festival: Hofmann, New Paintings, exh. cat., Kootz Gallery, New York, 1954, no. 14, back cover (illustrated) A. Newbill, "Fortnight in Review: Hans Hofmann " Arts Digest 29, no. 5, December 1, 1954, p. 28 P. Tyler, "Reviews and Previews: Hans Hofmann " ARTnews 53, no. 8, December, 1954, p. 51 C. Greenberg, Hofmann, Paris: Editions Georges Fall, 1961, p. 13 (illustrated), p. 37 M. Seuphor, Abstract Painting: Fifty Years of Accomplishment, from Kandinsky to the Present, translated by Haakon Chevalier, New York: Harry N. Abrams, 1962, pl. 460, p. 259 (illustrated) H. Hofmann, S. Hunter, Hans Hofmann Second Edition, New York: Harry N. Abrams, 1963, pl. 49 (illustrated), pp. 19, 28 J. Murray "Hans Hofmann's Use of Nature as Aesthetic Norm," Arts Magazine 55, no. 6, February 1981, p. 108 C. Goodman, Hans Hofmann Modern Masters Series 10, New York: Abbeville Press, 1986, pp. 37, 115 "Ad for the Estate of Hans Hofmann André Emmerich Gallery, New York," ARTnews 87, no. 7, September 1988, p. 11 (illustrated) D. Anfam, "Rehearsed Spontaneity: Hofmann at the Tate," Art International, Summer 1988, p. 98, p. 100 (illustrated) J. Burr, "The Rise of Abstract Expressionism," Apollo, no. 127, April 1988, fig. no. 2, p. 294 (illustrated) P. Overy, "When Paint Stays Paint. Bomberg and Hofmann: Conflicts in Style," Studio International 201, no. 1020, July 1988, p. 19 (illustrated) Hans Hofmann The Late Paintings, exh. cat, Tate, London, 1988, pl. 2, p. 27 (illustrated) D. Anfam, Abstract Expressionism, London: Thames & Hudson, 1990, p. 172 C. Goodman, Hans Hofmann New York: Whitney Museum of American Art, Munich: Prestel-Verlag, 1990, p. 136 S. Polcari, Abstract Expressionism and the Modern Experience, Cambridge: Cambridge University Press, 1991, p. 329 Hans Hofmann Das Spätwerk, Galerie Haas & Fuchs, Berlin

Auktionsarchiv: Los-Nr. 23
Auktion:
Datum:
13.11.2014
Auktionshaus:
Phillips
New York
Beschreibung:

23 PROPERTY FROM A PRIVATE AMERICAN COLLECTION Hans Hofmann Orchestral Dominance in Green 1954 oil on canvas 48 3/8 x 60 1/8 in. (123.8 x 152.7 cm) Signed, titled and dated “orchestral dominance in green 1954 Hans Hofmann” on the reverse; further signed and dated "Hans Hofmann 54" lower right.
Provenance Kootz Gallery, New York, 1961 Collection Henry A. and Jeanette R. Markus, Chicago, 1961 - 1987 Sotheby’s, New York, Contemporary Art, Part I, May 4, 1987, lot 9 André Emmerich Gallery, 1987 - 1989 Private Collection, 1989 - 2002 Ameringer Howard Yohe Fine Art, New York, 2002 Riva Yares Gallery, Scottsdale, 2002 Private Collection, 2002 Exhibited New York, Kootz Gallery, Tenth Anniversary Festival: Hofmann, New Paintings, November 15 - December 11, 1954 Provincetown, H.C. Gallery, Hans Hofmann July 26 - August 8, 1955 Philadelphia, Pennsylvania Academy of Fine Arts, One Hundred and fifty-First Exhibition of American Painting and Sculpture, January 22 - February 26, 1956 New Brunswick, Rutgers University, Hans Hofmann curated by Allan Kaprow April 5 - May, 1956 Houston, Contemporary Arts Museum in conjunction with Houston Symphony Orchestra and the Museum of Fine Arts, Large Scale Painting II, October 30 - November 30, 1956 London, The Tate Gallery, Hans Hofmann Late Paintings, March 2 - May 1, 1988 New York, André Emmerich Gallery, Hans Hofmann Selected Works, January 7 - February 13, 1993 New York, New York Studio School of Drawing, Painting and Sculpture, The Brushstroke and Its Guises, March 7 - April 16, 1994 New York, André Emmerich Gallery, Hans Hofmann's America: Landscapes, Still Lifes and Abstractions, December 7, 1995 - January 20, 1996 Berlin, Galerie Haas & Fuchs, Hans Hofmann Das Spätwerk, October 1 - November 1, 1997 Scottsdale, Riva Yares Gallery, Hans Hofmann Major Paintings, 1935-1964, March 13 - April 12, 1999, then traveled to Santa Fe, Riva Yares Gallery (July 9 - August 9, 1999) Boca Raton, Ameringer Howard Fine Art, Hans Hofmann A Retrospective Exhibition, November 11 - December 4, 1999 New York, Ameringer Howard Fine Art, Hans Hofmann The Summer Studio, April 27 - June 10, 2000 Provincetown, Art Association & Museum, Hans Hofman, Four Decades in Provincetown, July 28 - October 1, 2000 San Francisco, John Berggruen Gallery, Hans Hofmann Paintings, February 1 - March 3, 2001 Naples, Naples Museum of Art, Hans Hofmann A Retrospective, November 1, 2003 - March 21, 2004 Literature Tenth Anniversary Festival: Hofmann, New Paintings, exh. cat., Kootz Gallery, New York, 1954, no. 14, back cover (illustrated) A. Newbill, "Fortnight in Review: Hans Hofmann " Arts Digest 29, no. 5, December 1, 1954, p. 28 P. Tyler, "Reviews and Previews: Hans Hofmann " ARTnews 53, no. 8, December, 1954, p. 51 C. Greenberg, Hofmann, Paris: Editions Georges Fall, 1961, p. 13 (illustrated), p. 37 M. Seuphor, Abstract Painting: Fifty Years of Accomplishment, from Kandinsky to the Present, translated by Haakon Chevalier, New York: Harry N. Abrams, 1962, pl. 460, p. 259 (illustrated) H. Hofmann, S. Hunter, Hans Hofmann Second Edition, New York: Harry N. Abrams, 1963, pl. 49 (illustrated), pp. 19, 28 J. Murray "Hans Hofmann's Use of Nature as Aesthetic Norm," Arts Magazine 55, no. 6, February 1981, p. 108 C. Goodman, Hans Hofmann Modern Masters Series 10, New York: Abbeville Press, 1986, pp. 37, 115 "Ad for the Estate of Hans Hofmann André Emmerich Gallery, New York," ARTnews 87, no. 7, September 1988, p. 11 (illustrated) D. Anfam, "Rehearsed Spontaneity: Hofmann at the Tate," Art International, Summer 1988, p. 98, p. 100 (illustrated) J. Burr, "The Rise of Abstract Expressionism," Apollo, no. 127, April 1988, fig. no. 2, p. 294 (illustrated) P. Overy, "When Paint Stays Paint. Bomberg and Hofmann: Conflicts in Style," Studio International 201, no. 1020, July 1988, p. 19 (illustrated) Hans Hofmann The Late Paintings, exh. cat, Tate, London, 1988, pl. 2, p. 27 (illustrated) D. Anfam, Abstract Expressionism, London: Thames & Hudson, 1990, p. 172 C. Goodman, Hans Hofmann New York: Whitney Museum of American Art, Munich: Prestel-Verlag, 1990, p. 136 S. Polcari, Abstract Expressionism and the Modern Experience, Cambridge: Cambridge University Press, 1991, p. 329 Hans Hofmann Das Spätwerk, Galerie Haas & Fuchs, Berlin

Auktionsarchiv: Los-Nr. 23
Auktion:
Datum:
13.11.2014
Auktionshaus:
Phillips
New York
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