151 PROPERTY FROM A PRIVATE AMERICAN COLLECTION Peter Doig Untitled 2002 oil on cut paper 25 1/2 x 19 3/4 in. (64.8 x 50.2 cm) Signed and dated "Doig 02" lower right.
Provenance Michael Werner Gallery, New York Exhibited New York, Michael Werner Gallery, Peter Doig Works on Paper, November 6, 2002 - January 18, 2003 Dallas, Dallas Museum of Art, Peter Doig Works on Paper, September 12 - November 20, 2005, then traveled to Vero Beach, The Gallery at Windsor (December 4, 2005 - March 1, 2006), Toronto, The Art Gallery of Ontario (March 22 - June 18, 2006) London, Tate Britain, Peter Doig February 5 - April 27, 2008, then traveled to Paris, Musee d'Art Moderne de la Ville de Paris (May 29 - September 7, 2008), Frankfurt, Schirn Kunsthalle Frankfurt (October 9, 2008 - January 4, 2009) Dallas, Dallas Museum of Art, Peter Doig October 18, 2009 - March 28, 2010 Edinburgh, Scottish National Gallery, Peter Doig No Foreign Lands, August 3 - November 3, 2013 Literature Peter Doig Works on Paper, exh. cat., Michael Werner Gallery, New York, 2002 Peter Doig Works on Paper, exh. cat., Dallas Museum of Art, Dallas, 2005, pl. 107 (illustrated) C. Grenier, K. Scott, A. Searle, Peter Doig New York: Phaidon Press Inc., 2007, p. 87 (illustrated) Peter Doig exh. cat., Tate Britain, London, 2008, p. 141 (illustrated) Peter Doig No Foreign Lands, exh. cat., Scottish National Gallery, Edinburgh, 2013, p. 162 (illustrated) Artist Bio Peter Doig Scottish • 1959 One of the leading pioneers of contemporary figurative painting, artist Peter Doig is revered for his eclectic use of color and texture to depict ominous, ethereal and mysterious environments within nature. His practice maintains a thin and balanced line between landscape and figure, superimposing photographic imagery and memories, both real and imagined. Born in Scotland, raised in Canada and now based in Trinidad, Doig is well-versed in overlaying the aesthetics of the diverse cultures that have shaped his career. As a nod to abstraction as well as the concreteness of his settings, Doig allows the texture of painting to manipulate the images he uses and amplify the visual impact of these scenes. View More Works
151 PROPERTY FROM A PRIVATE AMERICAN COLLECTION Peter Doig Untitled 2002 oil on cut paper 25 1/2 x 19 3/4 in. (64.8 x 50.2 cm) Signed and dated "Doig 02" lower right.
Provenance Michael Werner Gallery, New York Exhibited New York, Michael Werner Gallery, Peter Doig Works on Paper, November 6, 2002 - January 18, 2003 Dallas, Dallas Museum of Art, Peter Doig Works on Paper, September 12 - November 20, 2005, then traveled to Vero Beach, The Gallery at Windsor (December 4, 2005 - March 1, 2006), Toronto, The Art Gallery of Ontario (March 22 - June 18, 2006) London, Tate Britain, Peter Doig February 5 - April 27, 2008, then traveled to Paris, Musee d'Art Moderne de la Ville de Paris (May 29 - September 7, 2008), Frankfurt, Schirn Kunsthalle Frankfurt (October 9, 2008 - January 4, 2009) Dallas, Dallas Museum of Art, Peter Doig October 18, 2009 - March 28, 2010 Edinburgh, Scottish National Gallery, Peter Doig No Foreign Lands, August 3 - November 3, 2013 Literature Peter Doig Works on Paper, exh. cat., Michael Werner Gallery, New York, 2002 Peter Doig Works on Paper, exh. cat., Dallas Museum of Art, Dallas, 2005, pl. 107 (illustrated) C. Grenier, K. Scott, A. Searle, Peter Doig New York: Phaidon Press Inc., 2007, p. 87 (illustrated) Peter Doig exh. cat., Tate Britain, London, 2008, p. 141 (illustrated) Peter Doig No Foreign Lands, exh. cat., Scottish National Gallery, Edinburgh, 2013, p. 162 (illustrated) Artist Bio Peter Doig Scottish • 1959 One of the leading pioneers of contemporary figurative painting, artist Peter Doig is revered for his eclectic use of color and texture to depict ominous, ethereal and mysterious environments within nature. His practice maintains a thin and balanced line between landscape and figure, superimposing photographic imagery and memories, both real and imagined. Born in Scotland, raised in Canada and now based in Trinidad, Doig is well-versed in overlaying the aesthetics of the diverse cultures that have shaped his career. As a nod to abstraction as well as the concreteness of his settings, Doig allows the texture of painting to manipulate the images he uses and amplify the visual impact of these scenes. View More Works
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
